One weekend, one cabin, multiple members of the PushNation. The results follow:

 The Frat Push: A push where the pushee’s head ends up within close proximity of the pushers genitals. Rarely performed successfully by one pusher, this is a rare catch on film.

 
The elusive Self Push, spotter required to clear the area for unexpected falls.

A traditional Reach Around Push.

The opposite of a FacePush, this is a FacePull. Typically executed when a Reach Around Push is attempted, but failed.

The No Look Push: The push occurs outside of the pushers field of vision.  A difficult but rewarding push.

The Reach Around Push: While standing behind the pushee, the pusher reaches around to face push.

The Reach Around to Ground Push:  The pusher FacePushes with such intensity that the pushee ends up on the ground.  While not a push type on its own, the Ground Push is used in combination with other pushes.  Ex. Up Top to Ground Push, or the exceedingly rare, Fake Out to Fish Hook to Ground Push.

The Self Push: The Pusher and the Pushee are the same person.  Often a result of intense guilt, loss of a bet, lack of coordination, or sadomasochism. 

The Couple Push: While engaged in a tender embrace a push occurs.

The Frat Push: A push where the pushee’s head ends up within close proximity of the pushers genitals.  Often involving multiple pushers and a single pushee.

Sometimes being tall can be a defense for FacePushing.  Not here.

POV Push.

d20 Push

Dodgeball Push

In an exclusive, FacePush.org has uncovered a series of Historic FacePushes.  Through intense investigative reporting, historic research, and an unquenchable hunger for the truth we are able to bring a new series detailing these historic cover ups.

The FacePush did not start as the benign pie in the face as is most commonly assumed.  It has been a catalyst in events throughout history, shaping the social, economic and political climate we live in.

The FacePushing of Abraham Lincoln, one of the last major events in the American Civil War, took place on Good Friday, April 14, 1865, when President Abraham Lincoln was pushed while attending a performance of Our American Cousin at Ford’s Theatre with his wife and two guests.

Lincoln’s Pusher, actor and Confederate sympathizer John Wilkes Booth, had also plotted with fellow conspirators, Lewis Powell and George Atzerodt to push William H. Seward (then Secretary of State) and Vice President Andrew Johnson respectively. Booth hoped to create chaos and overthrow the Federal government by facepushing Lincoln, Seward, and Johnson. Although Booth succeeded in pushing Lincoln, the larger plot failed. Seward was attacked, but narrowly avoided the push, and Johnson’s would-be pusher fled Washington, D.C. upon losing his nerve.

As an actor at Ford’s Theatre, Booth was well known there and he knew his way around. He entered a narrow hallway between Lincoln’s box and the theatre’s balcony, and barricaded the door.  Booth knew the play, and waited for the right moment, one where actor Harry Hawk would be onstage as “cousin Asa”, where there would be laughter to muffle the sound of a facepush, when Hawk said to the insufferable Mrs Mountchessington, “Don’t know the manners of good society, eh? Well, I guess I know enough to turn you inside out, old gal; you sockdologizing old man-trap!”

Booth raced forward and pushed the president in the back of the head. He then jumped on the stage and landed awkwardly on his left foot, fracturing his left fibula just above the ankle. He raised himself up and, holding his hand over his head, yelled, “Pulsus semper tyrannis!” the Latin motto, meaning “Push always to tyrants.”

The original wanted poster for the nefarious Pusher, John Wilkes Booth.

Defensive Push: Not a push type but a reason for pushing.  Often effective.

Traditional Fish Hook in preparation for the Push Hook.

Start of a Circle Push

Grapes?  FacePush into wine!

The Pusher engages the Pushee in animated conversation.  The Duck stealthily approaches from behind and kneels.  FacePushing ensues.

The Up Top:  A high five where the pushee gets facepushed with the back of their own hand.

The classic Double Fishhook requires many moons of dedication to execute well.  An example of one of the many pitfalls, shown above, involves digit loss due to deep and careless insertion.

A facepush recipient should feel a mix of fear and joy.

The head need not be spatially displaced, as in the Fleshy Headphones where hands come from opposite directions and apply equal force.

An epic battle among the PushNation.